Category Archives: Literature

For Bread Alone

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Last night something very unique happened to me. I suppose it is not so unique in the sense of it being an astonishing or mysterious event. Nevertheless, it was a first.

I was reading Mohamed Choukri’s autobiographical novel, For Bread Alone. It tells the story of Choukri’s tragic first 17 years of life from fleeing the famine stricken Rif Mountains to Tangier where he goes from living with an abusive father to living as a street dweller. I had already researched a little about his life and association with Paul Bowles (whose The Spider’s House I thoroughly enjoyed) and knew that Choukri went from being illiterate until a very late age only to become one of the most influential writers in the Magreb. Continue reading

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Another Country

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This past summer I read Another Country by James Baldwin and had wanted to write an in depth analysis of the story. I had totally forgotten about the book until now when I was listening to Louis Armstrong signing “Black and Blue”. Initially, I had purchased the book because I thought is was about an African American Jazz musician and his struggle as such. Then as I read on, I found out that the Jazz musician was only a part of the first portion of the story, even though the rest seemed to revolve around him. Nevertheless, the book rather fascinated me in its insight of people’s search for a place in the world — struggling to fit in, find love, and the injustice and violence in it all.

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The Bastard of Istanbul

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Once there was; once there wasn’t.
God’s creatures were as plentiful as grains
And talking too much was a sin . . .

Last night I finally finished the Bastard of Istanbul by Elif Shafak which was a gift from Neska and Berga. The author attempts to create a hip novel that confronts the Armenians in the diaspora with a contemporary Turkey that ignores and denies the existence of the Armenian Genocide of 1915. In doing so, Shafak tells the parallel stories of two families, a Turkish and an Armenian American one, whose histories are intertwined without their knowledge. Although the story is definitely enjoyable, it ultimately fails as Shafak is too ambitious in the various substories and techniques shes uses to get her points across about the dangers of negating one’s history. For example, I understand her use of food as a way to unite and show the similar cultural heritage of the Turkish and the Armenian people, but at times it is trite, overused and cliche. Other times, she resorts to magical realism, fairy tales, and other story twists that I do not believe are necessary (although I will not reveal them as to avoid giving the story away). As a result, the story loses steam as it comes to its over-dramatic end.

Shafak faced criminal charges by the Turkish government for statements made by her Armenian characters for “denigrating Turkishness”. Maybe I am just not familiar enough with the whole debate, but I didn’t find anything about the story overally denigrating. Perhaps she had to be less so in order to reach the Turkish public. Overall, though, I recommend The Bastard of Istanbul a good introduction into contemporary Turkey and the Armenian Genocide and a good read.

. . . for you could tell what you shouldn’t remember
and you could remember what you shouldn’t tell.

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From a Crooked Rib

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This last few days, I finished reading two novels which could be described as feminist literature. The first one, Two Serious Ladies by Jane Bowles, I must admit, was a total enigma to me. In a sense, it reminded me of Sylvia Plath’s The Bell Jar. While I understand its central theme of women’s struggle for finding themselves in a world that imposes upon them a series of debilitation and irrational anxieties, I still haven’t quite figured the rest of it out.

Next, I read Nuriddin Farah’s first novel, From a Crooked Rib, written in 1968 (yet still very revelant today). This story tells of a Somali woman’s desperate struggle for freedom, a struggle that is based on her love for life. Ironically, she lives in a male dominated world that treats women as inferiors, subjects them to female genital mutilation (in particular infibulation), and while she flees her tribal lifestyle to avoid a forced marriage to an older man, she still believes that her only option for freedom lies within marriage. Even worse, the women in society also promote and perpetuate gender inequality.

God created woman from a crooked rib
and anyone who trieth to straighten it,
breaketh it

It never ceases to surprise me Continue reading

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Gardens of Light

This weekend, I finished reading Amin Maalouf’s Gardens of Light, a historical novel that traces the life of Mani, a Third Century Persian prophet who preached what is today known as Manichaeism. With this book, I have completed reading all of Maalouf’s novels (save one). I have also decided to read only one more “Arab” writer and then move on to other regions. Continue reading

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Desire and Temptation

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Over the past few months, I have been reading almost exclusively novels written by Arab writers or about the Arab World. Nevertheless, I have decided to take a short break and read the new novel from one of my favorite authors, Nuriddin Farah, entitled Knots. All of his novels take place in his native Somalia, and while Somalia is not per se an Arab nation (though some people consider it to be so), it is a Muslim country and has many Arab influences.

While reading a particular passage today, I was reminded of something that I have witnessed in Naguib Mahfouz’ works as well as in other Arab novelists — the effect produced in the minds of young men by women covered by veils, masks or full-body coverings as dedictated by the norms of the societies in which they live. In Mahfouz’s works, for example, you can see the incredible and almost debilitating desire felt by young men when glimpsing a woman’s ankle or even a collar bone.

In the following passage from Knots, the main character, Cambara, reflects on how strange it is for her to return to Somalia after so many years and find women camoflaging themselves underneath veils and full-body covers, and how such disguises actually increase desire Continue reading

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Balancing Words and Sound

Van Gogh: Gaugin's Chair

Since finishing The Idiot on January 2, I have since read Naguib Mahfouz’s Midaq Alley, Amin Maalouf’s Samarkand, Paul Bowles’ The Spider’s House, and The Last Friend, and on Tuesday night I began Amos Oz’s Fima. Yesterday, I just got a package from Amazon with two more books from Maalouf and another from Mahfouz.

Now, I am in a phase where I just can’t stop reading (mainly novels written by or about the Arab world). The problem is that I have trouble striking a balance between my passion for reading and my passion for music. And I can’t do both at the same time. When I listen to music, I can’t concentrate on reading. Furthermore, since Christmas, I have also purchased the following music:

Sam Rivers: Counters; Blue Mitchell: Things to Do; Carole King: Really Rosie; Dee Dee Warwick: I Want to Be with You; Terry Callier: Speak Your Peace; Johnny Cash: Walk the Line; Eric Dolphy: Out There, Last Date, and Outward Bound; Duke Ellington: Black, Brown and Beige, and Such Sweet Thunder; John Coltrane: The Complete Africa/Brass Sessions, The Complete 1961 Village Vanguard Sessions Live, and Coltrane Live at Birdland; The Jazz Renegades: Freedom Samba; and Charles Mingus: The Great Concert of Charles Mingus.

It’s difficult to take advantage of the investment in words and sound all at once, and yet I don’t have the patience to stop surfing Amazon.

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Time and Distance

I am about half way through The Spider’s House by Paul Bowles which takes place in 1950s Fez, and I just read this sentence:

Even the smallest measure of time is greater than the greatest measure of space.

This immediately reminded me of “Being and Distance“, the first post that I ever entered into this blog. “Being and Distance” is fictional prose about how the measure of distance in kilometers (spatial terms) is ontologically irrelevant without factoring in all of the other essential things that one has to traverse through space and time (i.e., all that we gain or lose during our course of travel). In any event, the above quote pleasantly brought me back to my first blog post, almost a little more than 11 months ago. It also made me feel like I was not completely out of my mind when I wrote it.

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Samarkand and how we’re all to blame

Samarkand by Amin Maalouf

I have just finished reading Naguib Mahfouz’s Midaq Alley and Amin Maalouf’s Samarkand, two excellent novels that help us oustiders understand the mindsets, cultures, and history of Egypt and Persia respectively. As I have mentioned on numerous occassions previously in this blog, I love learning about other cultures through reading novels by their greatest storytellers (although Maalouf is Lebanese and not Iranian). I highly recommend either of these books as they do a great job of putting the world we live in today into perspective. Here it is:

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New Year, New Books

Books 2007

One of the first things I buy when I go to the States are books. I prefer to read in English rather than in Spanish (with the sole exception of Spanish literature). Furthermore, there is a greater wealth of novels translated into English than into Spanish, and I generally read literature from around the world. Here are my most recent purchases (and gifts) to start off the new year: Siddharth Dhanvant Shanghvi, The Last Song of Dusk; Paul Bowles, The Spider’s House; Amos Oz, Fima; Tahar Ben Jelloun, The Last Friend; Amin Maalouf, Samarkand; Naguib Mahfouz, Midaq Alley; and P.G. Wodehouse, The Inimitable Jeeves (not appearing in the picture). Of course, I can’t get started on any of these until I finish The Idiot, but luckily I only have about 7.5 hours left if I can stay awake. Oh yeah, and there is the problem of working 12 hours a day and not having free time to read.

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